Details: Keep the Lights On chronicles an emotionally and sexually charged journey of two men in New York City through love, friendship, and addiction. Please enter your birth date to watch this video: You are not allowed to view this material at this time. Director Ira Sachs goes for honesty here, and does well by it, but perhaps could have added something else to … Philip Morris says recovery will take much more than just an end to the pandemic. The nuances of their relationship are clearly coming from an artist that understands his … A mournful examination of the extremes of life condensed from a ten-year period into a hauntingly swift 101 minutes of heartbreak. Keep the Lights On stands as a heart-wrenching arch, oozing with amiable authenticity in slices of life too often shied away from on screen. While most of Keep The Lights On feels more distant than emotionally involving, it’s still a well-done relationship drama with an incredible lead performance. This gay domestic drama is a fascinating turn for Sachs. A fine debut from Thure Lindhardt as Erik. Boardwalk: Keep the lights on - See 1,733 traveler reviews, 659 candid photos, and great deals for Philipsburg, St Martin / St Maarten, at Tripadvisor. This review was originally published on January 27, 2012, as part of Film.com's Sundance 2012 coverage. It feels as if we're being given glimpses into real lives unfolding. Forgot your password? This film proves that gender makes absolutely no difference... love is love--no. and to receive email from Rotten Tomatoes and Fandango. All Creatures Great and Small (2021): Season 1, Greenfields: The Gibb Brothers Songbook, Vol. 3 Reviews, An often painful and brutally honest look at love and romance. But it skirts its responsibility to delve deeper into the treacherous aspects of bottoming out and recovery - we go from 'just using' to a full-on intervention full of characters we've never met. Sachs captures Erik's yearning for Paul and Paul's addiction-induced indifference with equal force. In New York City in 1997, documentary filmmaker Erik (Thure Lindhardt) and closeted lawyer Paul (Zachary Booth) meet Different terms, same payoff. Keep the Lights On is personal in a way that harks backs to American independent cinema of an earlier era. Copyright © Fandango. > Film Review: ‘Keep the Lights On’ Forty Shades of Blue (2005) and Married Life (2007) director Ira Sachs’ Teddy and Sundance Grand Jury Prize -winning drama Keep the Lights On (2012) is an honest and heart-rending tale of a torturous New York relationship, told in a fractured chronological fashion across a ten year period. Keep the Lights On – review 4 / 5 stars 4 out of 5 stars. Sign up here. Similarly, Erik and Paul’s motives were not clear enough throughout the movie, and it left me wanting to understand more about their dynamic. "Keep the Lights On" is the sort of semi-autobiographical movie that just goes to show that one's real-life drama, even if translated to the screen without a hitch, is not necessarily compelling for others. Multifaceted director Ira Sachs returns with Keep the Lights On, his first feature since 2007, and is arguably his most poignant and strongest work yet. 1. Harrowing and romantic, visceral and layered, Keep the Lights On is a film that looks at love and all of its manifestations, taking it to dark depths and … You are about to exit without submitting your review. Enveloped in the grainy intimacy of Super-16mm (and a cooing cello soundtrack drawn from the work of the late NYC giant Arthur Russell), this magnificently sad A tenderly observed portrait of a man aching for romance even as he resists the idea of full commitment. K eep the Lights On, a sensitive dramatization of director Ira Sachs’ past relationship with literary agent Bill Clegg, is many things: a throbbing tale of lust and love, an aching chronicle of a relationship’s fall, a heartbreaking account of addiction. Keep The Lights On Sundance-acclaimed drama Release Date: 02 Nov 2012 Running Time: 102 minutes Certificate: 18 Read Full Review Keep The Lights On Review … they're procaiming their love for each other again. KEEP THE LIGHTS ON is a sultry relationship conundrum exhausts one's vigor even dignity to sustain the suffocating love; while WEEKEND concentrates on the bad-timing symptom after a casual sex date which one must cut off his feeling and affection. (Music Box Films), Based on 22 Ratings and © 2021 METACRITIC, A RED VENTURES COMPANY. Director-cowriter Sachs takes an unusually intimate look at a 10-year relationship in this beautifully shot and performed New York drama. Full Review | Original Score: 4/5 Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but soon find a deeper connection and become a couple. Ira Sachs' "Keep the Lights On" follows a long-term relationship between two men who possibly shouldn't have started it. Starting in 1998, Erik (Thure Lindhardt) is first seen talking on the phone looking for men to have sex with (think of it … From a $1,000 contributor to our fall fundraising drive today: Doing our bit to keep the lights on at NRO! In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate, Keep the Lights On chronicles an emotionally and sexually charged journey of two men in New York City through love, friendship, and addiction. An often painful and brutally honest look at love and romance. Keep the Lights On acknowledges (without belaboring) the performative nature of identity; how each of our claims to selfhood, be it sexual, romantic, or professional, are staged on a shifting terrain of habit, fantasy, and desire. Photo: Music Box Films Keep the Lights On is such a quiet, raw, and intimate film that at times you worry that maybe you shouldn’t be watching it. “Keep the Lights On,” by Ira Sachs, follows two men as their relationship grows, falters and endures over more than a decade. They're not well suited to each other, and although their sex life is successful in the physical sense, it begins to stray in emotional meaning. Get the freshest reviews, news, and more delivered right to your inbox! "Keep the Lights On" is one of those films that engages as one watches, but leaves little to grasp onto upon reflection. In Manhattan, film-maker Erik bonds with closeted lawyer Paul after a fling. And then suddenly, "shazam!" By creating an account, you agree to the Privacy Policy Keep the Lights On is hardly a melodramatic film, but instead a vibrant, frank, and moving portrayal about two men in love that don’t know how to let each other go. In Keep the Lights On, a spare domestic drama about addiction, filmmaker Ira Sachs makes regular use of a 1986 Arthur Russell song, “Soon-To-Be Innoce Keep the Lights On … Audience Reviews for Keep the Lights On Dec 09, 2015 Keep the Lights On is brutally honest and devastating like love can be when ruined by drug addiction and by … and the Terms and Policies, Disc Review: Music Box Films certainly has treated this festival jet-setter with justified Every frame pulses with hard-gained experience: it may be the most lived-in film of 2012, and certainly counts among the most moving. Keep the lights on With shows on hold and cash flow down 90%, Proctors has had to get creative. All rights reserved. An intimate, honest and uncompromising study of the need for love and the addictions to drugs, sex and intense emotion that may accompany -- and sabotage -- love's pursuit. On a first watching, “Keep the lights on” did not feel particularly focused, and Erik’s heartbreak due to Paul’s addiction did not read as strong enough. Monitoring the peaks and troughs of this fractious relationship is more fascinating than enjoyable. The opening credits of Ira Sachs' semi-autobiographical "Keep the Lights On… In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity while being true to himself. Are you sure you want to leave and cancel your review? Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. Movie Review - 'Keep the Lights On' - A Nuanced Take On A Doomed Real-Life Love Ira Sachs' reportedly semi-autobiographical romantic drama, Keep the Lights On… Keep the Lights On reviewed by The 'Oyds Boyd and Floyd review Keep the Lights On, a drama set in 1997 New York. Don't have an account? Movie If someone has never had experience with addiction, this film might do something. A film-maker and lawyer start a relationship after a chance encounter. Keep The Lights On chronicles an emotional and sexually chared journey of love, friendship, and addiction. I don't understand why it's 'hip' to remake material we've all seen before with a 'gay' label. A brutally honest, at times embarrassingly raw, attempt to capture a modern day, urban relationship...bittersweet and filled with memorable details, a huge leap forward for [director] Sachs. Multifaceted director Ira Sachs returns with Keep the Lights On, his first feature since 2007, and is arguably his most poignant and strongest work yet. This film proves that gender makes absolutely no difference... love is love--no matter how tough love is. Last year Andrew Haigh packed more joy and heartbreak into one "Weekend" than Sachs has mustered in ten Best portable generators to keep the lights on When the power goes out, these generators kick into gear to keep the essentials up and running. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. Keep The Lights On Keep The Lights On Review Movies: Keep The Lights On Manhattan filmmaker Erik (Thure Lindhardt) and city lawyer Paul (Zachary … Keep The Lights On is still well-made with a terrific cast supporting one of the year's best performances. Motel 6 Lincoln: We will keep the lights on - See 130 traveler reviews, 59 candid photos, and great deals for Motel 6 Lincoln at Tripadvisor. It is electric. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but soon find a deeper connection and become a couple. Keep the Lights On stands as a heart-wrenching arch, oozing with amiable authenticity in slices of life too often shied away from on screen. Director Ira Sachs’s fearlessly personal screenplay is anchored by Lindhardt, who embodies Erik’s isolation and vulnerability with a gentle presence. Directed by Ira Sachs. ALL RIGHTS RESERVED. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. With Thure Lindhardt, Zachary Booth, Julianne Nicholson, Souleymane Sy Savane. 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